I know, I know! It’s not even Thanksgiving yet & I’m already talking Christmas…this year I started thinking about the holidays in July, so don’t even get me started!

There’s nothing quite like invoking images of burning Yule logs and eggnog while melting in the Tennessee summer heat and swatting fat mosquitos. It’s was difficult to not feel a little silly while wearing shorts and a tank top, listening to Bing Crosby sing “White Christmas”. Couple that with the fact that Christmas music, as a general rule makes me think of muzak, which makes me think of shopping malls, which makes me think of crowds of shopping zombies, which reminds me “what am I gonna do for everyone’s presents this year?!,” which stresses me out, and then someone insists on offering me a free sample of a stale piece of fruitcake, I’m hungry, I eat the sliver, I get thirsty & need a coffee, “how ’bout gingerbread latte?” I walk into Starbucks and wait…more Christmas muzak!…Wait! How come they’re not playing me?!

 I’ve always been a bit nervous about contributing to the pantheon of holiday music. Who wants to risk dethroning one of the Top 50 Worst Christmas records of all time? I mean – I love music. I love Christmas, but pitfall of Christmas music is that everybody knows the songs. As an artist, the immediate temptation is to do something so different and unique that you end up mutilating something that was simple and beautiful.  Thanks to albums like “Yuletide Disco” & “Christmas with Kazoo” (as in, a whole record with kazoo as the primary instrument (of torture!)), I’ve been hesitant to be accused of making yet another clanger.

All that being said, it’s no wonder that it took a good friend and inspiring artist like Margaret Becker to entice me into some holiday cheer. Maybe it was the Pinot, but before I knew it, the simple exercise of two musicians sitting around and plunking out some old Christmas hymns turned into something really special. With teeny budget, a little gear, and a lot of moxie, our little adventure turned into an actual record!

Margaret and I have sought to love these old hymns as if we’d heard them for the first time. Applying strict guidelines of simplicity, we vowed to honor the original tunes yet not stifle our style. Somewhat ironic to our lives as solo artists, each of us found ourselves fighting to see who could be part of the landscape and not the focal point. But perhaps the most surprising to me, was a sense of wonder about the actual story of Christ’s birth. Crazy what all that singing of new life, joy and renewed hope can do for a soul.

I can be downright cynical when it comes to the commercial trappings of the holidays. Sometimes I fight so hard – judging the chintzy little snow globe before giving it a shake and imagining the world inside. I could have had yet another Christmas where I ran through the mall as fast as possible, crossing off items on a list in a materialistic grab for happiness and praise…but then this record happened and I remembered something I often act too cool to remember: Hope. The thrill of it helps this weary girl rejoice!

 

Merry Early Christmas!
xoxo
Jennifer

Thought I would post this interview on the creative process that I did a while back. I really enjoyed the thoughtful questions. Often times interviews seem so one-sided and a little pointless, but Paul Pastor really digs deep to try and discover the important ways the creative process is necessary, challenging and beautiful. Rather than write more about it, I thought I’d link to it. So here it is:

 My interview with Sparks and Ashes

 

Enjoy!

xoxo Jennifer

Ok music lovers, art fans and all-around supporters of creativity, times are changing as I’m certain you’ve noticed. Thanks to the web, you can keep up with your favorite artists, their passions, their inspirations and projects as they happen. You can customize your information flow to the odd concert announcement or you can hang on every word…literally EVERY word!

But there’s another shift in interaction that has become invaluable and that’s the transition from “fan” to “supporter” of the arts. While it’s no secret that physical sales for musicians have dramatically decreased and digital theft has been crippling, the up side is that we’ve started to realize that it is difficult to stop human expression and a bit easier to kill commerce. The reality is that if we want to remain inspired by creative expression, then we must find a way to directly financially support our creators. One of the ways this is happening right now is through organizations like Kickstarter.

The concept is simple enough. You pay for your record before it is made, thereby ensuring that the artist will be able to complete the project. I could bore you to tears on how helpful this is when having to manage your craft as a business, but I won’t unless you beg. What I’m guessing you want is more music, more passion, more links to art that inspire your soul.

I’ve been so inspired by watching others create, that I’m starting to get a little itchy. Who knows, maybe I’ll start “kicking it” soon?

XOXO
Jennifer


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Here are a couple of projects I’ve not only donated my time to, but I’ll also be chipping in a few bucks for the finished work:
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MERCYLAND: Hymns for the Rest of Us
Produced by Phil Madeira
Featuring: Emmylou Harris, The Civil Wars, Buddy Miller, Matt Kearney and more..
All I can say is if you haven’t met Phil yet, you should and his writing on this project is a great place to start. I don’t know what more I can say except letting the title speak for itself.



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Let Your Light Shine
Produced by Hancock Productions
Wheaton College alumni Markie Hancock and Stephen Henderson have joined forces to tell the story of what life is like for LGBT students as they funnel through evangelical colleges like their alma mater. For many, the strain of silence was broken when those who braved to stand and tell their story became the voice of OneWheaton.